|Publication type:||Conference paper|
|Type of review:||Peer review (publication)|
|Title:||Little red bard : Shakespeare in the realm of animated documentary|
|Proceedings:||CONFIA : 2018 International Conference on Illustration and Animation|
|Conference details:||CONFIA 2018 - International Conference on Illustration and Animation, Esposende, Portugal, 13-15 July 2018|
|Subjects:||Animated documentary; Digital animation; Authenticity; Digital journalism|
|Subject (DDC):||800: Literature and literary studies|
|Abstract:||This article examines the research and creative process of creating a short animated documentary about the relevance of Shakespeare for digital natives in Singapore. The film mixes animation and live action interviews in various forms to tell its story. The project offers new insights in three ways: First, by uncovering new facts about Shakespeare perception in Singapore. Secondly, by closely examining the specific role of animated layers in the context of adding, enhancing and altering the recorded live action footage for the emerging documentary. Thirdly, by proposing a taxonomy for the animated strategies used.|
|Fulltext version:||Published version|
|License (according to publishing contract):||Not specified|
|Organisational Unit:||Institute of Applied Media Studies (IAM)|
|Appears in Collections:||Publikationen Angewandte Linguistik|
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