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https://doi.org/10.21256/zhaw-1362| Publikationstyp: | Beitrag in wissenschaftlicher Zeitschrift |
| Art der Begutachtung: | Peer review (Publikation) |
| Titel: | A visual imprint of moving air : methods, models, and media in architectural sound photography, ca. 1930 |
| Autor/-in: | Fischer, Sabine von |
| DOI: | 10.21256/zhaw-1362 10.1525/jsah.2017.76.3.326 |
| Erschienen in: | Journal of the Society of Architectural Historians |
| Seite(n): | 326 |
| Seiten bis: | 348 |
| Erscheinungsdatum: | Sep-2017 |
| Verlag / Hrsg. Institution: | University of California Press |
| ISSN: | 0037-9808 2150-5926 |
| Sprache: | Englisch |
| Schlagwörter: | Architecture; Sound; Photography; Models; Architectural Science; Architectural Acoustics |
| Fachgebiet (DDC): | 720: Architektur |
| Zusammenfassung: | Prompted by an archival finding from the laboratory of Franz Max Osswald, Switzerland's first academic expert in applied acoustics, Sabine von Fischer explores the schlieren technique for photographing sound in sectional models. A Visual Imprint of Moving Air: Methods, Models, and Media in Architectural Sound Photography, ca. 1930 examines how images were used to communicate findings in the emerging discipline of architectural acoustics. In Osswald's persistent experiments in visualizing the invisible phenomena of sound, the social, the technical, and the aesthetic were inseparable. Using photography, Osswald adhered to the paradigm of mechanical objectivity, yet his visual experimenting with phenomena of spatial sound possibly demonstrates an awareness that the senses cannot be excluded from scientific methods. The shadows of moving air in the sound photographs make claims toward their scientific authority, their aesthetic appeal, and their social function as expert tools. |
| URI: | https://digitalcollection.zhaw.ch/handle/11475/1423 |
| Volltext Version: | Publizierte Version |
| Lizenz (gemäss Verlagsvertrag): | Lizenz gemäss Verlagsvertrag |
| Departement: | Architektur, Gestaltung und Bauingenieurwesen |
| Organisationseinheit: | Institut Konstruktives Entwerfen (IKE) |
| Enthalten in den Sammlungen: | Publikationen Architektur, Gestaltung und Bauingenieurwesen |
Dateien zu dieser Ressource:
| Datei | Beschreibung | Größe | Format | |
|---|---|---|---|---|
| fischer_sabine von_jsah92017_visual imprint.pdf | 1.75 MB | Adobe PDF |  Öffnen/Anzeigen |
Zur Langanzeige
Fischer, S. v. (2017). A visual imprint of moving air : methods, models, and media in architectural sound photography, ca. 1930. Journal of the Society of Architectural Historians, 326–348. https://doi.org/10.21256/zhaw-1362
Fischer, S.v. (2017) ‘A visual imprint of moving air : methods, models, and media in architectural sound photography, ca. 1930’, Journal of the Society of Architectural Historians, pp. 326–348. Available at: https://doi.org/10.21256/zhaw-1362.
S. v. Fischer, “A visual imprint of moving air : methods, models, and media in architectural sound photography, ca. 1930,” Journal of the Society of Architectural Historians, pp. 326–348, Sep. 2017, doi: 10.21256/zhaw-1362.
FISCHER, Sabine von, 2017. A visual imprint of moving air : methods, models, and media in architectural sound photography, ca. 1930. Journal of the Society of Architectural Historians. September 2017. S. 326–348. DOI 10.21256/zhaw-1362
Fischer, Sabine von. 2017. “A Visual Imprint of Moving Air : Methods, Models, and Media in Architectural Sound Photography, ca. 1930.” Journal of the Society of Architectural Historians, September, 326–48. https://doi.org/10.21256/zhaw-1362.
Fischer, Sabine von. “A Visual Imprint of Moving Air : Methods, Models, and Media in Architectural Sound Photography, ca. 1930.” Journal of the Society of Architectural Historians, Sept. 2017, pp. 326–48, https://doi.org/10.21256/zhaw-1362.
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